KING
CRYPTO CASTLE
OF THE
Reputation is the coming of age crypto-rollercoaster we’ve all been looking for. With pacing and thematic undertones of films like The Big Short, and Moneyball, combined with the cultural relevance and narrative structure of films like The Social Network, Ladybird, and American Animals — this film has the opportunity to capture audiences from around the world.
VISUAL STYLE
Reputation will design and execute a unique visual language, immersing viewers in the world of our characters, and the intricacies of their everyday lives, ensuring each frame is as striking as the next.
Poetic, vivid, and gritty visual styles from films like The Last Black Man in San Francisco, Uncut Gems, and The Place Beyond the Pines, along with Television such as Ozark, Mr. Robot, and Euphoria, will be our inspiration.
NARRATIVE FEEL
Though our film takes place within the world of cryptocurrency, at its core, Reputation is a film about a young man learning to accept his failures, enjoy his success, and figure out who he really is along the way. Emotionally tender, vulnerable, and authentic moments of anger, frustration, and shame are the choir of feelings that this film offers.
Raw, character focused, intimate portrayals of real people in films like Boyhood, American Animals, Ladybird, The Social Network, and Honeyboy are deeply held inspiration.
Potential cinematographers
DARREN LEW
From 2nd unit DP on The Irishman, to Bloodline, Darren Lew is an incredibly accomplished DP, with a plethora of experience, and the aesthetic style that would highly elevate this film. He. is a close collaborator with our producer, and a phone call away.
ADAM NEWPORT BERRA
Adam Newport Berra’s cinematography has defined critically acclaimed films and TV series’ such as The Last Black Man in San Francisco, Euphoria, and The Bear. With an unparalleled eye for framing, color palate, and exposure, Adam would bring an exceptional visual language to this film. He has been a collaborator with both our producer and director in the past, and is a phone call away.
Matt Mitchell
Matt Mitchell is an impressively talented cinematographer with a keen eye for camera movement and framing. Having shot Little Woods, Significant Other, and an episode of Severance, Matt’s significant experience and detailed eye for composition and natural exposure make him an outstanding candidate to shoot this film. Our producer is close friends with him, and he is a phone call away.